If Othello investigated the issue regarding Desmodemona he could have discovered that Iago was lying. Bradley first introduced the English-speaking world to Hegel's theory, which Bradley called the " tragic collision ", and contrasted against the Aristotelian notions of the " tragic hero " and his or her "hamartia" in subsequent analyses of the Aeschylus' Oresteia trilogy and of Sophocles' Antigone.
While these early comedies usually found an ending in the resolution of a happily married couple, the later Shakespeare addresses rather complex conflicts and serious topics.
However, they may feel justified by the punishment in the villain thus the play transforms the emotions of the audience at it ends.
It is also a misconception that this reversal can be brought about by a higher power e.
Here I will once again reference A. Thus, the second aim of this section is to analyse and question this original distinction as it is known from the First Folio.
His later lectures formulate such a theory of tragedy as a conflict of ethical forces, represented by characters, in ancient Greek tragedy, but in Shakespearean tragedy the conflict is rendered as one of subject and object, of individual personality which must manifest self-destructive passions because only such passions are strong enough to defend the individual from a hostile and capricious external world: The heroes of ancient classical tragedy encounter situations in which, if they firmly decide in favor of the one ethical pathos that alone suits their finished character, they must necessarily come into conflict with the equally [gleichberechtigt] justified ethical power that confronts them.
Courtship and success give way to impasse, disillusionment, melancholy, bitterness, self-destructive behaviour, self-hatred, and tragic failure. It is a story about one, or sometimes two, characters.
For instance, in Othello's case, the audience may not feel happy and excited with the play's ending since almost all the main characters die.
The third ingredient is anagnorisis, which involves the revelation of some facts that were never realized before to the character considered as the hero.
The villain's cruel deeds cause us to feel wrath toward him. The audience is aware of Desdemona's innocence yet her husband is not. The play is full of suspense and contains the theme of jealousy, intrigue, suspense, and murder creating a great tragedy as per Aristotle's order.